i like to fill my blog with pretty pictures, flawless people and whatever i'm currently watching
Zuhair Murad (Arabic: زهير مراد) (born Beirut, 1971) is a Lebanese fashion designer. Since his early childhood, he always dreamt of evading to a world of fantasy. Zuhair Murad started sketching dresses at the age of ten, quoted as saying “I don’t recall a day in my life without a pen in my hand!”. In 1997, Zuhair Murad opened his first atelier in Beirut, catering to a growing private clientele. In 1999, Zuhair Murad celebrated his international debut at the Alta Roma Fashion Week, following an invitation from the Camera Nazionale della Moda. In 2001, Zuhair Murad presented his couture collection for the first time during Haute Couture Week in Paris, gaining momentum with international media. He expanded towards a ready-to-wear collection, with a more simple yet glamorous approach back in 2005. In 2012, the Zuhair Murad Fashion House relocated to a new, eleven-story building in Gemayzeh, in the heart of Beirut. The majestic space houses not only the corporate offices, but also the heart of the Zuhair Murad Design Studio, including designers, pattern makers, tailors and embroidery experts. Zuhair Murad was elected as a new guest member to the Haute Couture fashion week calendar by the supervisory board of the Chambre Syndicale de la Haute Couture in Paris. This Lebanese breakthrough in the International fashion scene has lead Murad to become an icon to his peers and audiences from arount the world. His unique creations that define oriental exxence and beauty have made their way towards all the major podiums, boutiques, and personalities.
"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… Oh, fuck it."
- The Grand Budapest Hotel (2014)
In the six or so centuries that it’s been floating around, bouncing from scholar to scholar and occasionally disappearing for decades at a time, the Voynich manuscript (as it’s come to be called) has yet to be translated. That might be due to the fact that it’s written in a language no one’s ever seen before or since.
But it does have some grounding in the reality that we know, namely via the dozens of familiar plant species sketched throughout the pages of this manuscript. And some researchers think these botanical illustrations are integral to cracking the code that, as one expert put it, has proven “academic suicide” for so many scholars throughout the ages. Click through for the full story! —MN
My adventures at the art institute today
We teach girls to shrink themselves, to make themselves smaller. We say to girls, ‘You can have ambition, but not too much. You should aim to be successful, but not too successful. Otherwise you will threaten the man.’ Because I am female, I am expected to aspire to marriage. I am expected to make my life choices always keeping in mind that marriage is the most important. Now marriage can be a source of joy and love and mutual support. But why do we teach girls to aspire to marriage and we don’t teach boys the same? We raise girls to see each other as competitors – not for jobs or for accomplishments, which I think can be a good thing, but for the attention of men. We teach girls that they cannot be sexual beings in the way that boys are.
on the plus side, I found something that finds your untagged posts if you want to go back and ya know